{
  "images": [
    {
      "id": "characters",
      "prompt": "Use case: stylized-concept. Asset: character and costume reference sheet for an original dramatic stop-motion short film THE OTHER ARM, NOT a book. Create two clearly handmade adult stop-motion puppets photographed on a miniature set, visible tactile sculpted clay faces, wool fibres, hand-sewn clothes, deliberately non-photoreal human faces, articulated fingers, not cartoon drawings and not CGI. Format landscape 3:2 character model sheet with four equal views on neutral charcoal backdrop: left half shows ADA full length front and profile; right half shows VENN full length front and profile. ADA is a sturdy middle-aged woman, about 45, pale freckled oval face, strong straight nose, dark brown hair braided and pinned into a small bun, tired brown eyes, no glamour, no makeup. She wears a faded ochre waterproof fisherman's coat open over dark teal wool jumper, charcoal trousers and heavy brown boots. Her coat hood is DOWN. VENN is a broad-shouldered man about 58, pale square face, receding silver-grey hair, heavy eyebrows, clean shaven, grey prison shirt with small collar and a dark wool waistcoat, dark trousers, bare feet. He is big but not monstrous, an ordinary frightened man. Keep both about the same adult height, Venn broader. Winter dawn light, restrained desaturated green-grey and ochre, subtle film grain. Exquisite practical craft, expressive restrained faces with small eyes, jointed fingers, imperfect hand-sculpted surfaces; serious adult chamber drama, no comedy caricature. Clean front/profile views, full hands/feet visible, not portraits. No text, labels, borders or speech balloons. This sheet supplies identity and clothing only, not shot framing.",
      "file": "characters.png"
    },
    {
      "id": "approach",
      "prompt": "A single 4:3 cinematic film frame for THE OTHER ARM. Use the attached character sheet only as identity/costume reference, not as layout. Photographed handmade stop-motion puppets with visible sculpted clay faces and wool fibres, tactile practical miniature scenery, small imperfect details, a serious restrained adult drama. Not a painting, not an illustration, not photoreal human actors. Preserve the exact Ada and Venn puppets from the reference. No text, no borders, no split-screen, no inset portraits. ADA alone in a small dark wooden rowing boat, oars fitted into rowlocks, her ochre hood down and braid bun visible, lower left foreground with boat bow pointing right toward a massive old dark-stone prison wall. Cold blue-grey floodwater has reached almost to the upper-storey windows, moving gently around architectural edges. A narrow partly barred open window at screen right with warm dim amber light inside; Venn is only a tiny indistinct figure in that window far away. Rain falls vertically; predawn cloudy sky, distant rooftops submerged to eaves, one faint amber rescue lamp behind Ada. Wide establishing composition, whole three-metre boat, enough space in water before wall. Ada's face visible three-quarter right, concentrating on oar stroke. Shot from a low fixed camera just above water, miniature 50mm photographic perspective, deep enough focus to read prison/window. No modern equipment, no boat motor.",
      "file": "approach.png"
    },
    {
      "id": "window",
      "prompt": "A single 4:3 cinematic film frame for THE OTHER ARM. Use the attached character sheet only as identity/costume reference, not as layout. Photographed handmade stop-motion puppets with visible sculpted clay faces and wool fibres, tactile practical miniature scenery, small imperfect details, a serious restrained adult drama. Not a painting, not an illustration, not photoreal human actors. Preserve the exact Ada and Venn puppets from the reference. No text, no borders, no split-screen, no inset portraits. Rescue location medium-wide view from low outside the wall. VENN inside a prison window at right, wearing soaked grey shirt and charcoal waistcoat, one hand gripping the sill, the other holding a small pale rag loosely; frightened and looking down-left at Ada. Window opening about one metre wide; central bars previously sawn away, only short bar stumps at sides, ample clear space for a person to climb out, no glass. Cold floodwater INSIDE has risen to his waist and spills over sill. ADA sits in wooden rowing boat left/below the window, looking directly up into Venn's face, one oar resting across boat. Exterior flood level about 45cm below sill; narrow stone ledge below sill at boat-gunwale height. Boat hull parallel close to stone wall and bow right. A coil of hemp rope visible inside boat, yellow coat wet, hood down. Wall rises behind Venn and occupies right half; water foreground. Blue overcast predawn from left, dim amber from cell behind Venn. Both clay-puppet faces clearly readable and exactly consistent. A physically achievable rescue, no enormous drop or high window.",
      "file": "window.png"
    },
    {
      "id": "court",
      "prompt": "A single 4:3 cinematic film frame for THE OTHER ARM. Use the attached character sheet only as identity/costume reference, not as layout. Photographed handmade stop-motion puppets with visible sculpted clay faces and wool fibres, tactile practical miniature scenery, small imperfect details, a serious restrained adult drama. Not a painting, not an illustration, not photoreal human actors. Preserve the exact Ada and Venn puppets from the reference. No text, no borders, no split-screen, no inset portraits. A dry memory of a British provincial courtroom, early twentieth-century fiction. Ada sits alone in near-left foreground gallery, shown three-quarter profile with her hands gripped in her lap, wearing the same ochre coat now dry and teal jumper. Venn is across room at right in the prisoner's wooden dock, same receding grey hair square features but wearing a dry charcoal suit, white shirt, no hat. Empty middle aisle separates them. Rear background judge's high bench, dark wood panelling and tall dusty daylight windows screen left. A plain practical room with papers, no writing legible. Ada looks across at Venn, he looks downward avoiding her. Restrained muted warm brown daylight distinct from the blue flood. Both puppets are the exact referenced identities. Cinema still with depth, Ada's near face in focus and Venn recognizable in deeper focus.",
      "file": "court.png"
    },
    {
      "id": "shelter",
      "prompt": "A single 4:3 cinematic film frame for THE OTHER ARM. Use the attached character sheet only as identity/costume reference, not as layout. Photographed handmade stop-motion puppets with visible sculpted clay faces and wool fibres, tactile practical miniature scenery, small imperfect details, a serious restrained adult drama. Not a painting, not an illustration, not photoreal human actors. Preserve the exact Ada and Venn puppets from the reference. No text, no borders, no split-screen, no inset portraits. Inside a schoolhouse used as a flood shelter in cold dawn. VENN sits on the dark wooden floor near right side of a big open doorway, back against plaster wall, barefoot, knees slightly drawn up, wet grey shirt and charcoal waistcoat, shivering hands held before him. A folded thick dull-grey wool blanket lies next to his right hip on floor, not on him. ADA stands in left foreground by the open doorway turned toward him, holding an oar vertically, soaked ochre coat and teal jumper; her lip has a tiny split mark but no flowing blood. Her expression tired and held still. Human-scale benches in rear, two distant indistinct adult volunteers carrying blankets, simple amber oil lamps; blue exterior rain through left doorway, warm light at upper right. No hospital machines. Medium-wide, full bodies readable, Venn's seated height below Ada, clear path between them. No touch yet, no blanket around either person.",
      "file": "shelter.png"
    }
  ],
  "motion": [
    {
      "id": "01-approach",
      "model": "minimax/hailuo-3-max",
      "duration": 10,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. Silent action shot. No speech or talking mouth movements. One continuous low wide shot. Ada rows the same small wooden boat slowly from left toward the open upper-storey prison window on the right. Water carries small debris past the boat. Her oars dip, push water back and rise; her shoulders do the work. Venn is a small figure waiting at the distant window. Vertical soft rain and water reflections move throughout. Ada completes two tired strokes and glances toward the window. Do not reach or collide with wall yet. Keep whole boat in view and preserve prison architecture."
    },
    {
      "id": "02-recognition",
      "model": "minimax/hailuo-3",
      "duration": 10,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. SOUND: Generate the specified English speech natively and synchronize the correct puppet's mouth with every word. Ada's voice is a middle-aged British woman, low register, slightly husky, economical, no whisper, no theatrical shouting. Venn's voice is a middle-aged British man, slightly breathless, ordinary human voice. Keep dialogue clearly audible above quiet location sounds. No narrator, no additional words, no humming, no singing and absolutely no music. Only the designated speaker moves their mouth. Leave lips closed before and after their lines. Start with the exact supplied view outside the cell. The boat floats close below the open window. 0-3s: Venn raises the pale rag once to signal, then recognises Ada below; the raised hand stops and lowers to the sill. 3-5s: closer view of Venn, his eyes stay on Ada; he says only, \"Ada?\" 5-10s: cut to Ada's face below, looking up-right into his face. She stops moving the oar, her mouth remains shut and her eyes hold on him. Water and rain continue quietly, no other speech. End with her expression held, no smile."
    },
    {
      "id": "04-questions",
      "model": "minimax/hailuo-3",
      "duration": 13,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. SOUND: Generate the specified English speech natively and synchronize the correct puppet's mouth with every word. Ada's voice is a middle-aged British woman, low register, slightly husky, economical, no whisper, no theatrical shouting. Venn's voice is a middle-aged British man, slightly breathless, ordinary human voice. Keep dialogue clearly audible above quiet location sounds. No narrator, no additional words, no humming, no singing and absolutely no music. Only the designated speaker moves their mouth. Leave lips closed before and after their lines. Return to blue predawn rain at the same flooded window. Begin on Ada below-left in the boat, looking UP-RIGHT to Venn; Venn looks DOWN-LEFT to her. The cut central bars leave an unobstructed opening large enough to pass a man. Dialogue, with natural brief pauses: Ada asks \"Is there anyone else?\" Venn shakes his head and says \"No.\" Ada asks \"Anyone above you?\" Venn looks once at the ceiling and says \"No floor above.\" Use restrained matched close-ups of the speaker, preserve same side of the boat-window axis. No one changes location. Floodwater remains at Venn's waist inside the cell and below the sill outside. End with Ada looking at the clear opening and setting the oar across her boat."
    },
    {
      "id": "05-dont",
      "model": "minimax/hailuo-3",
      "duration": 12,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. SOUND: Generate the specified English speech natively and synchronize the correct puppet's mouth with every word. Ada's voice is a middle-aged British woman, low register, slightly husky, economical, no whisper, no theatrical shouting. Venn's voice is a middle-aged British man, slightly breathless, ordinary human voice. Keep dialogue clearly audible above quiet location sounds. No narrator, no additional words, no humming, no singing and absolutely no music. Only the designated speaker moves their mouth. Leave lips closed before and after their lines. At the flooded prison window, hold on Venn with Ada below in soft foreground. At 1-3s Venn lowers his chin and begins, \"I was only...\" His tone starts an explanation. Before he continues, Ada interrupts from the boat, firmly but without yelling: \"Don't.\" A full beat. Cut closer to Ada looking directly at him as she says, \"Put your left foot on the sill.\" Venn tries to lift his left leg but it is stiff; his hands grip the sill. He does not get out yet. End with Ada reaching toward the hemp rope in her boat. Preserve cut-away central bars, no new bars across opening. No other words."
    },
    {
      "id": "06-secure",
      "model": "minimax/hailuo-3-max",
      "duration": 10,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. Silent action shot. No speech or talking mouth movements. One continuous medium-wide action shot outside the low flooded window. Ada takes the loose hemp rope already in her boat and loops it around the existing iron bar stump at the LEFT edge of the window. Show the boat already held close, no complicated knot close-up. She tests the rope with one pull, then plants her left boot on the narrow stone ledge between boat and sill. One hand braces on the sill. Venn stays inside gripping the sill, water at waist. Ada leans toward Venn and grips the side of his dark waistcoat near his belt to support him. The boat remains tied and touching the ledge. End BEFORE he comes through. Physically small movements, no jumping, no extra hands, the open central window remains clear."
    },
    {
      "id": "07-pull",
      "model": "minimax/hailuo-3-max",
      "duration": 12,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. Silent action shot. No speech or talking mouth movements. Continue precisely from this physical position: Ada braced on the narrow ledge, boat tied immediately below, Venn inside the clear window. Ada shifts her weight backward, pulling Venn's waistcoat near belt while he pushes with both hands on sill. His stiff left foot catches briefly, then clears the sill. Keep the whole opening visible until his hips come through, then make one motivated cut to a LOW VIEW INSIDE THE BOAT: his bare feet and trouser legs land, the wooden hull rocks and a little water spills over gunwale. Ada steps down into boat with him and both crouch to steady themselves. Venn catches the lapel of her ochre coat. No one falls into the river, no jumping across a gap, no giant splash, no duplicated bodies. End with both safely inside boat, his hand gripping her coat, Ada bracing on a thwart."
    },
    {
      "id": "08-let-go",
      "model": "minimax/hailuo-3",
      "duration": 10,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. SOUND: Generate the specified English speech natively and synchronize the correct puppet's mouth with every word. Ada's voice is a middle-aged British woman, low register, slightly husky, economical, no whisper, no theatrical shouting. Venn's voice is a middle-aged British man, slightly breathless, ordinary human voice. Keep dialogue clearly audible above quiet location sounds. No narrator, no additional words, no humming, no singing and absolutely no music. Only the designated speaker moves their mouth. Leave lips closed before and after their lines. Both people are now safely INSIDE the same wooden boat alongside the prison wall; the rescue from window has already happened. Venn grips Ada's coat lapel. At 1.5 seconds Ada meets his eyes and says only, quietly and distinctly, \"Let go.\" He releases his hand. She waits until he has let go, then pulls the loose rope free and uses an oar against the stone wall to push the boat away. He remains seated low in boat, hands in his lap. Rain, wet wood and one small splash only. No additional speech, no apology, no music. End with boat beginning to drift away from wall."
    },
    {
      "id": "09-crossing",
      "model": "minimax/hailuo-3-max",
      "duration": 10,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. Silent action shot. No speech or talking mouth movements. One continuous quiet crossing. Both stay in the same boat. Ada rows steadily; Venn sits facing her, low and hunched, saying nothing. Start from the supplied image, then camera draws slowly back and slightly upward to show the little boat moving away from the flooded stone prison toward distant warm windows of a schoolhouse across the water. Maintain their identities and clothing and the boat dimensions. Blue rain, amber light reflected in dark water. No heroic poses or sudden gestures. Keep real progress through water visible. No dialogue."
    },
    {
      "id": "10-shelter",
      "model": "minimax/hailuo-3",
      "duration": 12,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. SOUND: Generate the specified English speech natively and synchronize the correct puppet's mouth with every word. Ada's voice is a middle-aged British woman, low register, slightly husky, economical, no whisper, no theatrical shouting. Venn's voice is a middle-aged British man, slightly breathless, ordinary human voice. Keep dialogue clearly audible above quiet location sounds. No narrator, no additional words, no humming, no singing and absolutely no music. Only the designated speaker moves their mouth. Leave lips closed before and after their lines. Inside the schoolhouse shelter after the crossing. Venn is already seated on the wooden floor, soaked and shaking, blanket folded beside him. Ada stands by the doorway with an oar. The warder is OFFSCREEN near the open door: an ordinary older British male voice asks \"Any more inside?\" Ada looks toward that unseen warder and says \"Not on that side.\" The warder notices her split lip: \"You're bleeding.\" Ada touches her lip once, glances at her fingers, and answers \"It's my lip.\" Show Ada in a loose close-up for the exchange, with Venn out of focus behind her; he does not speak. After her last line her eyes move toward him. Warm lamps and cold blue rain beyond door, quiet rain only, no music."
    },
    {
      "id": "11-blanket",
      "model": "minimax/hailuo-3-max",
      "duration": 10,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. Silent action shot. No speech or talking mouth movements. A close observation of Venn, seated against the same wall on the schoolhouse floor. Camera begins in supplied wide view then slowly settles at his seated eye height. He reaches for the folded thick grey blanket beside his hip. His fingers tremble; he gets one corner up but cannot separate the wet folds, then lowers his hands. He is cold and exhausted, not theatrically weeping. Ada remains standing in the left background by the open door with the oar; she watches him without moving toward him yet. Small shivering, no talking mouths. End on the blanket and hands."
    },
    {
      "id": "12-choice",
      "model": "minimax/hailuo-3-max",
      "duration": 10,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. Silent action shot. No speech or talking mouth movements. Stay in the schoolhouse, preserving Venn seated at right and Ada standing left with oar. Ada looks out of the blue rainy doorway for two seconds, then back at Venn's trembling hands. She rests the oar against the wall. After one held beat, she walks the three short paces to him, kneels beside him, and picks up the thick grey wool blanket from beside his hip. He looks up, startled, mouth closed. She opens the blanket, lifts it around his back and covers his nearer shoulder; his other forearm is still outside it. No embrace, smile, nod of forgiveness or dialogue. End on her kneeling next to him, holding open the blanket for his other arm."
    },
    {
      "id": "13-other-arm",
      "model": "minimax/hailuo-3",
      "duration": 12,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. SOUND: Generate the specified English speech natively and synchronize the correct puppet's mouth with every word. Ada's voice is a middle-aged British woman, low register, slightly husky, economical, no whisper, no theatrical shouting. Venn's voice is a middle-aged British man, slightly breathless, ordinary human voice. Keep dialogue clearly audible above quiet location sounds. No narrator, no additional words, no humming, no singing and absolutely no music. Only the designated speaker moves their mouth. Leave lips closed before and after their lines. This is the final shot; preserve the supplied positions exactly. Ada kneels beside Venn, who is seated on the floor, a grey blanket already covering his back and one shoulder. She holds its open edge for his uncovered forearm. Camera stays at their seated eye level, a restrained medium two-shot. 0-3 seconds: Venn looks at her and hesitates. 3-5 seconds: Ada simply says \"The other arm.\" Quiet, practical, clearly audible; no smile and no grand emotion. 5-9 seconds: he moves his remaining forearm beneath the open blanket and she draws the wool around both shoulders. 9-12 seconds: hold. Her hand releases the wool. They do not embrace, he does not thank her, she does not forgive him aloud. Faint rain outside, one cloth rustle, no music, no additional speech, no captions. End still holding the two people, not on a new scene."
    },
    {
      "id": "03b-court",
      "model": "minimax/hailuo-3",
      "duration": 15,
      "prompt": "Animate as a photographed handmade stop-motion short for adults. The image is a physical miniature with articulated clay puppets, visible wool fibres, painted wood and real tiny water droplets. Preserve its exact character faces, clothes, sizes and set geometry. Restrained tactile stop-motion movement, slight frame-by-frame irregularity, no transformation into live humans or smooth cartoon CGI. No writing, subtitles, captions, logos or music. Camera motion, if any, is slow and motivated. Ada is the woman with pinned dark braid, ochre fisherman's coat, teal wool jumper, charcoal trousers and boots. Venn is the broad older man with receding silver hair, grey shirt, charcoal waistcoat and bare feet. No new principal characters. Keep Ada's hood DOWN. SOUND: Generate the specified English speech natively and synchronize the correct puppet's mouth with every word. Ada's voice is a middle-aged British woman, low register, slightly husky, economical, no whisper, no theatrical shouting. Venn's voice is a middle-aged British man, slightly breathless, ordinary human voice. Keep dialogue clearly audible above quiet location sounds. No narrator, no additional words, no humming, no singing and absolutely no music. Only the designated speaker moves their mouth. Leave lips closed before and after their lines. This is a 15-second courtroom memory. Dry brown daylight, same clay puppet characters. The scene must explain a lethal factory fire and Ada's sister. 0-7s: hold the supplied medium-wide composition with BOTH FACES visible. An older MALE WITNESS speaks OFFSCREEN, exactly: \"Mr Venn ordered the factory doors locked. Seventeen workers died in the fire.\" Visible Ada and Venn listen with closed mouths. At 7s make one cut to a chest-up close-up of Ada's FACE. She looks across at Venn and says exactly, \"My sister was on the third floor.\" Keep her entire face on screen throughout her line. She presses her lips together afterwards. At 12s cut to Venn in the dock, eyes lowered, and hold silently until the end. No downward tilt, no hands-only view, no rain, no music, no fire montage and no additional words. Restrained speaking, no smiles, no sobbing. The accused does not speak."
    }
  ]
}